文檔:Velazquez-Meninas.jpg
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這個檔案已經被Las Meninas, by Diego Velázquez, from Prado in Google Earth.jpg取代。 建議您使用其他圖像。請注意要刪除被取代的圖像的話,您需要首先取得社群共識。
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摘要
拍攝地點 | 40° 24′ 49.68″ 北, 3° 41′ 31.2″ 西 | 位於此地的本圖片與其他圖片: OpenStreetMap | 40.413800; -3.692000 |
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視角坐標 繁體中文
40°24'49.7"N, 3°41'31.2"W
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日期/時間 | 縮圖 | 尺寸 | 用戶 | 說明 | |
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眼前 | 2009年2月25日 (禮拜三) 18:23 | 865 × 985(128 KB) | Calliopejen1 | Reverted to version as of 19:32, 28 November 2004 - broke imagemap template in use in en.wiki | |
2009年1月22日 (禮拜四) 17:26 | 1,378 × 1,611(540 KB) | Paris 16 | |||
2009年1月21日 (禮拜三) 21:30 | 1,378 × 1,700(1.83 MB) | Paris 16 | |||
2004年11月28日 (禮拜天) 19:32 | 865 × 985(128 KB) | Stw | "Las Meninas" by Diego Velázquez |
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JPEG 檔案備註 | VELÁZQUEZ, Diego Rodriguez de Silva y
(b. 1599, Sevilla, d. 1660, Madrid) Las Meninas 1656-57 Oil on canvas, 318 x 276 cm Museo del Prado, Madrid This is a composition of enormous representational impact. The Infanta Margarita stands proudly amongst her maids of honour, with a dwarf to the right. Although she is the smallest, she is clearly the central figure; one of her maids is kneeling before her, and the other leaning towards her, so that the standing Infanta, with her broad hooped skirt, becomes the fulcrum of the movement. The dwarf, about the same size as the Infanta, is so ugly that Margarita appears delicate, fragile and precious in comparison. On the left in the painting, dark and calm, the painter himself can be seen standing at his vast canvas. Above the head of the Infanta, we see the ruling couple reflected in the mirror. The spatial structure and positioning of the figures is such that the group of Las Meninas around the Infanta appears to be standing on "our" side, opposite Philip and his wife. Not only is the "performance" for their benefit, but the attention of the painter is also concentrated on them, for he appears to be working on their portrait. Although they can only be seen in the mirror reflection, the king and queen are the actual focus of the painting towards which everything else is directed. As spectators, we realize that we are excluded from the scene, for in our place stands the ruling couple. What seems at first glance to be an "open" painting proves to be completely hermetic - a statement further intensified by the fact tbat the painting in front of Velázquez is completely hidden from our view.
Author: VELÁZQUEZ, Diego Rodriguez de Silva y Title: Las Meninas Time-line: 1601-1650 School: Spanish Form: painting Type: portrait |
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